Last edited by Mitilar
Wednesday, July 22, 2020 | History

1 edition of Selecting library and archive collections for digital reformatting found in the catalog.

Selecting library and archive collections for digital reformatting

Selecting library and archive collections for digital reformatting

proceedings from an RLG symposium held November 5-6, 1995 in Washington, DC.

  • 151 Want to read
  • 30 Currently reading

Published by Research Libraries Group in Mountain View, Calif .
Written in English

    Places:
  • United States
    • Subjects:
    • Library materials -- Selection for preservation -- Congresses.,
    • Archival materials -- Selection for preservation -- Congresses.,
    • Digital preservation -- United States -- Congresses.

    • Edition Notes

      ContributionsResearch Libraries Group., Smithsonian Institution. Libraries., National Gallery of Art (U.S.)
      Classifications
      LC ClassificationsZ701.3.S38 S45 1996
      The Physical Object
      Paginationx, 170 p. ;
      Number of Pages170
      ID Numbers
      Open LibraryOL620684M
      LC Control Number96219339
      OCLC/WorldCa35688759

      Dan Hazen, Jeffrey Horrell, and Jan Merrill-Oldham, Selecting Research Collections for Digitization Council on Library and Information Resources, August (decision matrix) Selecting Library and Archive Collections for Digital Reformatting. Proceedings from an RLG Symposium Held November , in Washington, DC. Outsourcing. Digital Preservation System Requirements; Library Food and Drink Policy; Preservation Policy; Procedures. List of Approved Materials for Marking and Labeling Yale Collections; Sending general collections materials to Preservation for Treatment; Insurance Coverage for Transportation of Special Collections Materials Between Yale Facilities.

      Selecting Library and Archive Collections for Digital Reformatting , pp. Download from the OCLC Corporate Library Collection .pdf: MB) Proceedings from an RLG symposium held November , , in Washington, DC. Digital Collections We have a growing digital collection that includes digitized photographs, documents, and audiovisual materials, as well as born digital materials. When digitized versions of documents within collections with finding aids are available, .

        The Colorado Historical Records Advisory Board (CHRAB), in partnership with the National Historical Publications and Records Commission (NHPRC), invites you to attend a FREE, 2-day, Archives and Digital Collections Workshop on June 27 and 28 at the University of Northern Colorado in Greeley, CO. Friends of the Library Public visitors & alumni Extend your search Archives & Special Collections Unique collections of books, manuscripts, & artifacts University Digital Conservancy (UDC) U of M-created content UMedia Primary source images, audiovisuals, & text Archival collection guides Search archival records, personal papers, & manuscripts.


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Selecting library and archive collections for digital reformatting Download PDF EPUB FB2

Get this from a library. Selecting library and archive collections for digital reformatting: proceedings from an RLG symposium held Novemberin Washington, DC. [Research Libraries Group.; Smithsonian Institution. Libraries.; National Gallery of Art (U.S.);].

Selecting library and archive collections for digital reformatting: proceedings from an RLG symposium held in Washington, DC. However, some items or collections may be selected for preservation digital reformatting in order to test research results, approaches, or methodologies, and determine the feasibility of large-scale production digital reformatting for certain types of works.

Links to full text books, pamphlets, newspapers and historical documents on the World Wide Web Contents: Methodology Digital Collections Subject-oriented Virtual Collections E-Book Collections (Full-text) Methodology: The Costs of Digital Imaging This article, by NARA staff member Steve Puglia, appeared in the Octo issue of RLG DigiNews.

Links to several recent. Located in the Preservation & Reformatting Department on west campus, the Digital Imaging Unit digitizes the rare and distinctive items found in the Libraries’ collections. We typically handle objects that are difficult to scan or photograph, or that need something special: high-resolution close-up shots to reveal small details, for instance.

The Ingalls Library and Museum Archives offers comprehensive access to art information and serves the general public, students from every school and degree level, independent researchers, and all museum departments. With more thanvolumes of scholarly publications in many languages covering all periods and geographic areas of art history, and institutional records.

In NovemberRLG hosted a symposium on Selecting Library and Archive Collections for Digital Reformatting. Participants were exposed to the evolving environment in which selection decisions are made and presenters provided them with strategies for making appropriate decisions that benefit their own institutions and the larger research.

Back To List. Abstract. Preservation remains an ill-defined concept when applied to the development of digital library projects and collections.

This preservation leaflet suggests a framework for understanding preservation in the digital context by creating a bridge from the five core principles of traditional preservation practice: longevity, choice, quality, integrity, and access.

Before selecting an archive or assembling materials for a digital project, you should conduct a broader survey of your library's historical collections.

Take a complete and concentrated look at all your collections and determine what kinds of information are represented in each of them. The Northeast Document Conservation Center specializes in paper and book conservation.

NEDCC performs conservation treatment for photographs, books, prints, documents, maps, and globes. NEDCC’s professional conservators also treat architectural plans, parchment, papyrus, wallpaper, and works of art on paper including charcoal drawings and watercolor paintings.

Digitization, less commonly digitalization, is the process of converting information into a digital (i.e. computer-readable) format, in which the information is organized into bits. The result is the representation of an object, image, sound, document or signal (usually an analog signal) by generating a series of numbers that describe a discrete set of points or samples.

Inthe Preservation and Reformatting Section (PARS) of the Association for Library Collections and Technical Services (ALCTS) for the American Library Association (ALA) developed and drafted a definition of digital preservation for use on the web, verbally, in written policy statements, and other documents.

They developed three definitions; a short definition, a. [13] Nancy E. Gwinn, "Mapping the Intersection of Selection and Funding," Selecting Library and Archive Collections for Digital Reformatting: Proceedings from an RLG Symposium, Mountain View: The Research Libraries Group, Inc., August[return to fn13].

Identify and select what to save Organize the files selected to be saved Save copies on at least two different storage media (e.g., USB drive and external hard drive) and keep these in separate physical locations Migrate saved copies to a current storage medium about every five.

Digital Reformatting & Microfilm Services (DRMS) in the Preservation Department provides a spectrum of services with regards to the preservation of information in volumes and on obsolete media.

Through working with a wide variety of vendors DRMS preserves and provides access to the intellectual content of both the written word and audio & visual media. Digital Reformatting & Microfilm Services (DRMS) in the Preservation Department provides a spectrum of services with regards to the preservation of information in volumes and on obsolete media.

Through working with a wide variety of vendors DRMS preserves and provides access to the intellectual content of both the written word and audio Author: Christine McCarthy. The mission of the Free Library of Philadelphia is to advance literacy, guide learning, and inspire curiosity.

Digital Collections - Free Library Due to the ongoing impact of COVID, all Free Library locations will remain closed to the public until safety concerns have subsided.

Digital Collecting Levels: The very idea of "collecting" is complicated due to the nature of digital collections. Following the example of the University of California Digital Library SunSITE, the Harvey Library recognizes four levels of digital collecting, which include associated levels of preservation commitment.

Page including internal review of Harry Houdini from Keith/Albee managers’ report book, March 9-Decem The Keith/Albee collection, one of the most important and comprehensive vaudeville archives in the country, has steadily become available in the Iowa Digital Library.

This collection, spanning over sized ledger volumes. Nancy E. Gwinn, "Mapping the Intersection of Selection and Funding," in Selecting Library and Archive Collections for Digital Reformatting: Proceedings from an RLG Symposium Held 5–6 November in Washington, D.C.

(Mountain View, Calif.: Research Libraries Group, ). Digital Imaging Digitizing paper may be an effective strategy for: saving space increasing access reducing retrieval time creating back-ups Digital imaging can dramatically improve retrieval efficiency by enabling searching capabilities that are not possible in a paper environment.

It is also ideal for records that would take up an extensive amount of space in paper form and require .A Field Guide to Digital Preservation. Frances Harrell. Octo to Octo A Compass for the Digital Frontier Series. Frances Harrell. October 2, Special Collections Cataloging: Maps.

Septem Acquisitions Work: From Competencies to Competence. Lindsay Cronk and Rachel Fleming. Septem Reformatting approaches at NARA are based on the type, intent, and goals of a digitization project, as well as characteristics of the original record, such as format and condition of the source material, quality and content of the original, anticipated use, size and format of the original, and contrast and color information of the original, among others.